Forecast for 2024 for each DM.

[Under10Gods]

If you are a feng shui lover.
Pay attention to the photo. Now compare with the buildings with holes in the middle that are now being built in Asia. Sort of like Feng Shui.
They say this building was photographed in Leavenworth, KS. In the middle of the 19th century. And the name of the city is also fire. There is no need to invent what a harmonious building should look like. Everything has already been built before us. And demolished. Like other buildings, they are destroyed. In wars. Religious fanatics. During the reorganization of cities.

[Under10Gods]

Back in the 19th century there were many international exhibitions. What does this monument do at the exhibition? A human figure with wings kills a dragon with a spear. And this monument can be seen from anywhere in the exhibition pavilion.

[Under10Gods]

To understand the size of the pavilion. It is 50 meters high or more. They were built normally in the mid-19th century. Who calculated all the designs for the resistance of materials?

[Under10Gods]

The author of the video suggested. That the melalas dedicated to these exhibitions depict Lucifer.

[Under10Gods]

And these exhibitions featured sculptures of Lucifer. That's what they were called.

[Under10Gods]

Alternative historians don't look at the same things I do.
Therefore, the meaning of the central sculpture, depicting the slaying of the dragon, escaped them. But it turns out that the "Statue of Liberty" is Lucifer. By its outward appearance. And his statue stands on the Capitol building in Washington. Not the woman with the sword.
And at these exhibitions, they showed people who won.
And if we follow this logic...
The cross.
It's a symbol of the sun's movement.
The summer and winter solstices. The spring and autumn equinoxes.
And it turns out that there are religions. During the rite of worship, a human figure stands between the worshiper and the cross. It shields the cross from the worshiper. This is consistent with the fact that the sacred sites of these religions' temples always contain the bones of the dead.

What are the consequences of this victory?

Piranesi's engravings feature people with claw-like hands. And other anomalies. Ancient images and statues depict people with dog heads. People with snake-like legs.
This is harmony. The level of the soul corresponds to the level of the body. As the soul level rises, the body changes.
In a museum in Turkey, there is a statue of a satyr removing his hooves like boots. And in their place are human legs.

And today, all people, regardless of their soul level, have identical bodies, differing only in secondary characteristics.

And modern people's demands on architecture are significantly lower than those of their 18th-century predecessors.

[Under10Gods]

I take back what I said. All the statues I mentioned have female sexual characteristics. Although the headdress on the statue on the Capitol is very similar to a Native American one.
And I've always been amazed by the observation deck at the head of the Statue of Liberty in New York. Essentially, it's a repeat of the image on the medal. When someone sits on the goddess of victory, resting their index finger on her head. Any person becomes higher than freedom. Or perhaps a non-human who can also climb there. I think that over time, fewer and fewer such references and artifacts will remain. Like all the exhibition pavilions of the 19th century, they were torn down after a couple of years. Or they burned down. How cast iron and glass can burn is a mystery . Or brickwork.
But the image of Jesus Christ with rays from his head, like on the medal from the exhibition, appears in various images. This is one of the variations on the halo. And it's quite possible that the intellectual level of the new generation couldn't grasp reality and hierarchy. And for them, everything had to be simplified and simplistic. Like in the animal world. The images are the same. The explanation is different. Cheap and cheerful.

[2noBody]

What was there before the mid-19th century? The buildings are all the same. I admire the architecture. The same layout is everywhere. Arches. Octagons, round windows, columns, large volumes under the roof. Everything we love in ancient temples and buildings. Where are the drawings, calculations, and who cast these wonderful cast-iron structures?

Royal Reading Room in Rio de Janeiro.

Victoria Library in Melbourne. Australia.

Library of Congress in the United States.

What a geography of buildings. What architecture.

Well, it's good that they built libraries and not prisons.

Want to live in a harmonious building? You need to build something similar.


https://youtube.com/clip/Ugkx8C_Owdzi1CRmixSzKEQ41e5F58rJ9h5h?si=R2jNun2ODfSM39tQ

[2noBody]

Miss.

[2noBody]

I'm intrigued by the "world's fairs" of the 19th century. Let's start with the first one. London, 1851. There are tons of drawings online, even though photography already existed back then. And when you find a photo, everything becomes more interesting. The photo shows three towers around the pavilion. A garden group and fountains in front of the entrance. Which aren't in the drawings. And a photo of the interior. Look what's inside. Statues. Monuments. It looks like a trophy exhibition. And the title page says it right there - an exhibition. Definitely not a world's fair. Why did I bother looking for photos? Humans are stereotypical thinkers. When you open a photo catalog of any exhibition, what's the first photo you see? Correct. A photo of the entrance area with the title. I went specifically for that photo. It's not there. There's a title page with a description. It says "The Great Exhibition." The word "world's fair" isn't there. So what was actually on display there?...
They write about this building. It was made of glass and cast iron. It burned down. According to historians, the building was erected from the drawing board to the finished product in eight months. And when it was dismantled for relocation, it took two years to reassemble. And then it burned down.

[2noBody]

Pay attention. There's something very large inside. But it's unclear in the photo. Is it 10 meters tall? Or higher? Are there similar paired statues on a bridge in St. Petersburg? Where a man holds a horse by the bridle. Or is this a common scene?
The design on the medal removed the stairs, fountains, and statues from the entrance. They are clearly visible in the photo. That's why I don't trust the drawings.

[2noBody]

I went to an exhibition in Paris in 1855. I was only interested in the photos. But this exhibit commands my respects. The caption on the image reads: "An advertisement for clerical attire." I'm certainly no expert on the Catholic Church. But judging by the headdresses of the people on the left, I assume they're clergy. But then who's on the right? The one with the obvious halo and wearing richer clothing? And, judging by the composition, the one with the higher status than those on the left? What's going on here???

[2noBody]

These photos make it clear that something inside wasn't done by the people who built these buildings. The scaffolding is wooden, despite the fact that the structure is made of cast iron and glass. Wooden scaffolding would never support that kind of weight. And the question is, how were the cast iron sections held together? Rivets? You can't see them. Welding? It didn't happen until after 1882. And cast iron is very difficult to weld.

And I don't understand what the child is doing there. Or maybe he's not a child. But while sitting on the stool, his feet don't touch the floor.

[2noBody]

Exhibits from the exhibition. A painting of a carriage taller than a man. It takes up the entire length of the road. A cabinet. Do you often see cabinets like this? It takes about three years to make one. And if you make a mistake once, you have to redo it.

[2noBody]

I don't get it. What's the Statue of Liberty doing at the Industrialization Exposition? With a halo?